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Amy Denio & Die Kn​ö​del: Non Lo So, Polo

by Amy Denio / Spoot Music

supported by
Vyacheslav Potapov (VP)
Vyacheslav Potapov (VP) thumbnail
Vyacheslav Potapov (VP) Very beautiful, deep and diverse album! I hear here: chamber, folk, avant-prog, jazz... I want to personally thank Emy Denio, for such beautiful music! And of course, Die Knodel, for what they have written himself in the history of music! The excellent cooperation! I want to have more such collaborations. Favorite track: Agora.
Agora 03:49
Ambaraba ci ci co co Tre civette sul como che facevano l'amore con la figlia del dottore il dottore si amalo' ambaraba ci ci co co
Berenice 03:44
Long Song 06:43
As you’re growing old You find a time, you count Who is dead among friends Those who died knowing your love Your mind ~ all in your memory ~ is full No more faces fit, it is full And the face of a fresh friend takes on the spirit of one you loved And the love outweighs the loss
Finalala 04:04


Amy Denio composed music for Austrian chamber octet Die Knödel and 4 singers, inspired by 'Invisible Cities' by Italo Calvino. She received funds from Seattle Arts Commission and King County Arts Commission to produce live concerts (conducted by Joshua Kohl) and a recording in Seattle, WA in July, 1998.


released February 1, 1999

Alexandra Dienz: Bass, Hackbrett; Christoph Dienz: Fagott; Julia Feigl: Geige, Holzernes Glachter; Gesang; Margreth Köll: Harfe; Cathi Aglibut: Bratsche, Gesang
Walter Seebacher: Klarinette, Bass Klarinette, Hackbrett; Michael Öttl: Guitarre, Gesang; Andreas Lackner: Trompete, Flugelhorn, Bass, Gesang; Singers: Amy Denio, Jeanette d'Armand, William Dean, Jenn Brandon. Recorded at Ironwood Studios, Seattle by Floyd Reitsma; Mastered at Hanszek Audio, September, 1998. Originally released on RecRec Medien, Zurich.


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Amy Denio / Spoot Music Seattle, Washington

Amy Denio is an award-winning multi-instrumentalist composer, singer and music producer based in Seattle, WA. She's been commissioned to compose for dance, theater and film, and has received numerous grants and fellowships and collaborated with artists worldwide.

She has performed at festivals, clubs, schools, prisons, social centers and ruins throughout Europe, North America and Asia.
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